Facebook kindly reminded me yesterday morning that 8 years ago I was in Columbus, Georgia with my son for a tennis tournament. Passing time between matches by flipping through the channels on the TV, I made an important discovery. By dumb luck, I landed on a History Channel marathon showing back-to-back-to-back-to-back-to-back episodes of the inaugural season of “Top Shot.”
I didn’t have a cable television subscription at home at the time, so had no idea that a mainstream channel would air a program that combined the basic premise of the reality TV show “Survivor” with a shooting gallery on steroids captured by high speed videography. And I only stopped on the program because I recognized Colby Donaldson from “Survivor: Australian Outback.” Otherwise, I probably would have kept clicking right on past “Top Shot.”
What I saw was a revelation to me. To this day, I remember the trick shot showdown in episode 7 of that first season. Tara Poremba hit all of her targets shooting a Winchester Model 1873 rifle Annie Oakley style – backward over her shoulder using a mirror to aim – and Chris Cerino drove two of three nails by hitting them on the head with bullets fired from a Smith & Wesson M&P double action revolver. I did not realize it at the time, but the excitement of watching the “Top Shot” contestants’ marksmanship skills planted a seed of interest in firearms (as I noted in my first ever blog post 6 years ago).
It is certainly possible that I would have gotten into gun culture without having seen “Top Shot,” but there’s no doubt that seeing a fun and positive portrayal of firearms and shooters make my entry much easier.
The idea that firearms and shooters are normal not deviant is something that remains central to my entire sociological approach to Gun Culture 2.0 to this day. Watching Top Shot — and, later, shows like “Shooting Gallery” and “Shooting USA” — mattered.
This content originally appeared at text and was written by David Yamane